
There is nothing in this universe apart from God. ... God is present at every point of the universe and can be approached and experienced at every such point. ... and, though the Deity is no doubt infinitely greater than the universe which is His creation, every part and particle of that universe, from the tiniest atom to the mightiest planet, is essentially, entirely and thoroughly divine.
J. J. Van der Leeuw
The Fire of Creation
1976, The Theosophical Publishing House
For the
same reason, we can say that all geometry is sacred, along with all mathematics and the
laws of physics, especially certain fundamental constants and relationships such as the
golden ratio, the natural logarithm, pi, etc.
However, in the strict sense of the meaning, when we refer to sacred geometry we are talking about methods, ancient or modern, of representing the metaphysical relationship between our physical existence and the spiritual source of existence -- between the consciousness of the individual and the Universal Consciousness of the transcendental dimension. This relationship is the seed of creation. It is an interaction process that is the root cause of all forms, the source of the experience of "otherness", and the entire field of objective spacetime.
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Modeling Multidimensional Geometries
This is exactly what is done in the Minkowski diagram. By "collapsing" one dimension of space, all of three-dimensional space is represented by a flat plane -- this way the dimension of time can be represented by the third space dimension. As mentioned earlier, this flat plane is a timelike hypersurface which no individual observer can ever actually see in its entirety. The three-dimensional space that we see is represented by the surface of the past light-cone, which can also be thought of as a continuous series of ever-widening rings, each ring representing a set distance away from the observer in all directions -- the surface of a spherical plane. Imagine the spherical plane surrounding you at this moment at a distance of (with a radius of) one light-second, for example (about 186,000 miles -- most of the way to the moon!). The surface of that sphere is repesented in a Minkowski diagram by a ring one second back along the past light-cone, because what we are seeing at that moment is light which left one second ago from that spherical surface on its way you. The human mind is able to understand that such models are limited representations of more complex, extra-dimensional structures, and with some mental gymnastics, to better understand the extra-dimensional relationships represented in that limited way. Often, in physics and metaphysics both, different geometric forms are used to represent the same state of reality, usually as representing different qualities, relationships, or perspectives of the same thing. With a simple transformation of the defining coordinate system, for example, a geometric form can take on an entirely different shape. As mentioned in "Realm of the Quasar", the hyperspherical model of a big bang universe with three-dimensional space visualized as the surface of an expanding balloon, can at the same time be thought of as being flat, or even hyperbolic, as far as relativistic geometry is concerned. In fact, many different geometries have been used throughout history to represent cosmological relationships.
In these ancient examples, the tip of the cosmic mountain corresponds to the spiritual dimension, and thus to the Universal Singularity (at the instant of the Big Bang or in the center of the hypersphere), and the tip of the individual's light-cone is a point at the foot of the cosmic mountain, in the physical dimension. In the Vedic tradition, the unfoldment of creation from the spiritual to the physical is generally represented by a series of concentric spheres, usually seven, the center being the unchanging spiritual dimension. Transcending the universal chakras to the spiritual source is often described as climbing a cosmic mountain. This theme is also reflected in the general form of the mandala, with the center of the motif representing the spiritual source of creation. In fact, the circle or sphere is the most common spiritual motif, used throughout history to represent the infinity and oneness of creation.
We should always keep in mind that metaphysical geometries are a way of modeling higher-dimensional relationships that are more real than the geometries themselves. What is most important is to develop an intuitive understanding of the metaphysical relationship or principle being modeled, and as powerful as they are as teaching tools, we must not get too hung up on the models themselves. The realization of transcendental unity is the goal of any metaphysical system or spiritual teaching.
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Just as big bang cosmology is paralleled within the quantum realm, just as the entire history of cosmological evolution (Cosmogenesis) is ever-present in the structure of the atom, the entire history of human evolution (Anthropogenesis) is ever-present in the structure of the body-soul vehicle. The relationship between the heavenly light of the Garden of Eden and the earthly world of the manifest Universe, is reflected directly in the relationship between the soul and the body, mind and matter, consciousness and spacetime. In each case, both realms exist simultaneously in an intricate web of interdependence, and in each case, the higher, more ethereal levels provide the primary substance for the lower, more corporeal realms. In transcendental meditation, an increasing transcendence is a progression toward the source of conscious unfoldment and toward the central source of the Universe itself.
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| The human body as a configuration of energy is made up of seventy-two thousand channels, the currents of energy which travel through them and the essential drops or units of consciousness and energy conjoined which reside in the channels. By manipulation of the essential drops within the channels by way of the currents, we undergo different levels or states of consciousness. The type of consciousness we now have based on our present configuration is one type, dream another, deep sleep another. Fainting, heavy fainting or coma or when breath stops are all others. The final level of consciousness, Clear Light, is made manifest at the time of death. This is the strongest and subtlest. Unused, it serves as the basis for revolving the round of birth, old age, sickness and death.
The Dalai Lama, 1980 |
The Cosmic Mandala
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The Cosmic Mandala is encompassed by a flaming circle. At the Cosmic Center is a
three-footed spiral symbolizing a first movement, surrounded by the rotating wind which
condenses into the basic elements, representing the states of aggregation: Wind or Air
stands for the gaseous state. The emerging forms of the elements are painted in the blue ring surrounding the Cosmic Center, in the lower sphere intimating the world continents-to-be. The blue Ether represents the all pervading condition, the source of all elements filling the space of the Mandala. On it circles are drawn, looking like ellipses in their dynamic intersection. They portray the orbits of celestial bodies, painted in all the colors of the rainbow plus black and white and indicating the directions. These twelve astrological circles of the upper sphere demonstrate the movements in the seasons of the sun, moon, and stars. -- courtesy BuddhaNet |
![]() painting by Patricia Waldygo |
The
Kabalistic Tree of Life
The Sephiroth: The 1st Sephirah The 2nd Sephirah The 3nd Sephirah The Invisible Sephirah The 4th Sephirah The 5th Sephirah The 6th Sephirah The 7th Sephirah The 8th Sephirah The 9th Sephirah The 10th Sephirah |

The Right Eye of Horus, representing consciousness, wholeness,
unity, etc.
It is also reported to be the symbol for an Egyptian Mystery School of Sacred Geometry.
| The Flower of Life The code of the FLOWER OF LIFE actually contains all the wisdom
found in the universe, similar to the genetic code contained within our own DNA.
This geometric code goes beyond ordinary forms of teaching and lies beneath the very
structure of reality itself. All the harmonics of light, sound and music exist
within this geometric structure, which exists as a holographic pattern, defining the shape
of both atoms and galaxies alike. This image has been used throughout the world and
has been found in all the major religions in all countries. ... The Flower of Life pattern was considered so
sacred to the ancients, that it was kept secret and has only been found in a few known
Egyptian sites.
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| The circles of the Flower of Life and Fruit of Life
actually represent spheres in a 3-dimensional pattern pervading all of space,
representing the female elements of Creation.
This provides the field for Metatron's Cube, which contains the Platonic Solids,
formed by the ray-like male movements of Creation.
This very same geometry probably underlies what modern physics is calling the quantum vacuum, and is fundamental to the creation process at the quantum level. |
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MerKaBa Meditation
courtesy Vitalistic
Health & Healing Network
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Tibetan Buddhist Mandala
| An evolution of consciousness is the
central motive of terrestrial existence. The evolutionary working of Nature has a
double process: an evolution of forms, and evolution of the soul. ... Man occupies the crest of the evolutionary wave. With him occurs the passage from an unconscious to a conscious evolution. ... The nature of the next step is indicated by the deep aspirations awakening in the human race.
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